oh, right, the hypocrisy. I forgot.
Apr. 15th, 2007 09:18 amMs. Malkin, who appears to be determined to make a career out of the Imus situation since Mr. Kurtz of the Washington Post picked up her thoughts, has this to say about Senator Obama's response (as ever, Google's over thataway if you want to read this stuff at the source)
You know who else it didn't bother five years later?
That would be Ms. Malkin. Well, to be fair, that would be, among others, Ms. Malkin, the folks at the National Review, Captain's Quarters, the Washington Times, RedState, Opinion Journal, a whole bunch of folks at Town Hall, MSNBC, Newsweek, Ken Mehlman and the RNC.
( because... )
For a subject Mr. Imus' not-supporters-but want so urgently to have a teachable moment about now, that seems like an awful lot of missed opportunities to me.
Anyway, in an attempt not to miss the next scapegoat train, the National Review Online has this, posted Friday:
which links, I am not making this up, to this
Gee. Maybe it was peer pressure that got to Imus after all.
Barry-come-lately jumps on the anti-rap misogyny bandwagon. Here's what he said late today:Democratic presidential candidate Barack Obama on Friday questioned the way some rappers talk about women in songs, saying the lyrics are similar to the derogatory language used by embattled radio host Don Imus.Funny, I don't recall Obama bringing this up when he met Ludacris last fall. The Media Blog reminds us of Luda's ho-ho-ho-ciferousness.
They are "degrading their sisters. That doesn't inspire me," Obama said of some hip-hop artists when a man in a crowd of about 1,000 questioned him. The Illinois senator was responding to a question of what inspired him, and said God and civil rights activists.
...
"I think that all of us have become a little complicit in this kind of relaxed attitude toward some pretty offensive things," Obama said. "And I hope this prompts some self-reflection on the part of all of us."
[sexist crap]
"Ho" came out in 2000. Then there's that other Ludacris classic, "Move Bitch." Here's the chorus and first verse of that:
[sexist crap]
That piece of garbage came out in 2001, Sen. Obama. Doesn't look like it bothered you five years later
[picture of Sen. Obama with someone who based on Ms. Malkin's palpable air of schoolyard accomplishment I assume is Ludacris]
You know who else it didn't bother five years later?
That would be Ms. Malkin. Well, to be fair, that would be, among others, Ms. Malkin, the folks at the National Review, Captain's Quarters, the Washington Times, RedState, Opinion Journal, a whole bunch of folks at Town Hall, MSNBC, Newsweek, Ken Mehlman and the RNC.
( because... )
For a subject Mr. Imus' not-supporters-but want so urgently to have a teachable moment about now, that seems like an awful lot of missed opportunities to me.
Anyway, in an attempt not to miss the next scapegoat train, the National Review Online has this, posted Friday:
Blame David Geffen [Greg Pollowitz]
One thing the Imus firing has inspired is a look at hip-hop culture in general and its role in what happened with Imus. With that in mind, this post on who's responsible for hip-hop at Huffington caught my eye:In addressing its misogyny problem, hip hop will have to question one overlooked but unavoidable fact fact. Hip hop is owned by whites. The most powerful man in hip hop is not Puff Daddy; it is David Geffen of Sony Records. Contrary to popular belief, Russell Simmons is not the brains behind Def Jam Records; Rick Rubin is (there goes my chance to be invited to HBO's Def Poetry Jam). A fed up black blogger recently discussed the whites who control what is arguably the most important hip hop record label: "And no no no. Russell Simmons did not co-found Def Jam. Nor did he ever run Def Jam. Rick Rubin ran Def Jam. Later Lyor Cohen ran Def Jam. Nor did Russell ever sign Def Jam's big acts. LL Cool J? Rick Rubin. The Beastie Boys? Rick Rubin. Public Enemy? Rick Rubin. Oran "Juice" Jones? Lyor Cohen."
If Democratic candidates are really so disturbed by what's happening, there's an easy solution... give David Geffen's money back.
which links, I am not making this up, to this
What does that mean? It means that on balance historically and presently the imagery of Hip Hop is controlled by people who are pretty much exclusively non-black. That is white.
Moreover, most of these individuals are Jewish. I don't think that either Joel Springarn, Michael Schwerner, or Andrew Goodman would appreciate them facilitating the harm to the black image as they do. This is not what these heros of the civil rights struggle worked and died for. I think it is for their like-minded ideological descendants who are Jewish to take these executives to task for their selling and producing the most vile imagery of African-Americans since D.W. Griffith’s Birth of A Nation. Given these days' political climate, people who would or could do so and are not Jewish, unfortunately are to susceptible to being tainted with the charge of anti-Semitism.
...
What’s ironic about this state of affairs is that actually the companies under which these individuals operate are largely owned by Japanese, German, and French entities.
What’s even more ironic is that these guys, via their African-American “partners” such as Simmons, Lighty, and Puffy work closely with folks like Louis Farrakhan and Ben (used- to-be-Muhammad) Chavis (Hip Hop Action Network, etc) who, in turn, by painting the black Hip Hop non-mogul moguls as progressive, nee, revolutionary, give the whole sordid affair a “progressive”, “nationalist”, and even “anti-Semitic” cover.
Gee. Maybe it was peer pressure that got to Imus after all.
